It
was probably in Medics,
an ITV series which ran for five years, but which didn’t keep me hooked for
long. To be honest the most memorable character was played by Tom Baker who,
like Brian Blessed, is never known for understated performances. Alternatively
it could have been the same year as a casino owner in A Touch of Frost or in Inspector Morse, although this
was only a minor part alongside the likes of Diana Quick and a very youthful
Sean Bean.
Sue
was on the right side of the law five years later, this time in the Beeb’s Crime Traveller.
Like Medics, I don’t recall this being a long-standing regular of mine but I
was prepared to give it a go. It was obviously a vehicle for Michel French,
straight after his stint on Eastenders and
based on the unlikely premise that he and co-star Chloe Annett could secretly use
her late dad’s time machine for solving crimes. Hmm. Johnston played French’s
boss who disliked his methods but presumably not his results. Despite being
written by Anthony Horowitz (Poirot, Foyle’s War and novels featuring Sherlock
Holmes and James Bond, though sadly not in the same story) it wasn’t
recommissioned but they were fairly entertaining cop capers.
Waking The Dead lasted much longer; eleven years, in fact. Sue Johnston played Grace Foley, an
experienced psychological profiler who was the calm, rational, ‘people person’
partner of more headstrong Trevor Eve’s DCI Boyd in his Cold Case team. Besides
a healthy dollop of mutual respect, there was much witty banter between the
two, a key factor in the show’s enduring popularity throughout the Noughties.
Whilst
born in nearby Warrington, Sue Johnston was brought up on Merseyside. Her
Liverpool credentials were advanced from her time on Brookside but apparently
her allegiance to Liverpool FC is life-long. This informed football support
earned her a few spots on Fantasy Football League in the Nineties. It may have been a comedy showpiece for Frank Skinner and
David Baddiel but the guests also had the opportunity to demonstrate some
genuine sporting knowledge. Back in ’94, Sue was by no means fazed by the lads
or fellow guest Eddie Large, but I can’t recall, come the end of the season, how
successful she was as a manager.
In
2004, I became riveted by the first series of the celebrity family history
series, Who Do You Think You Are? To
some extent, it has suffered through familiarity leading if not to contempt but
at least to repetition. After a few years, I started to tire of the samey tales from
the trenches or Caribbean slavery. Some of the best have been rooted in very
ordinary social realism of nineteenth-century Britain, and Sue Johnston’s personal
genealogical journey to life on the railways and slums of Carlisle was both
gripping and emotional. Sadly I can’t find it on YouTube but the actress was
mesmerising merely playing herself.
More
recently Sue has been lured by some meaty dramatic roles. In 2018 she was in
Kiri, playing star Sarah Lancashire’s elderly mum and last year was again in
granny mode in Channel 4’s hard-hitting reminder of the Stafford Hospital
scandal, The Cure.
She portrayed Bella, whose unnecessary death sparked the campaign which
resulted in the eventual expose of incompetence and shocking outcomes of
spending cuts in the NHS. The mini-series also introduced me to the worrying
notion of Sue Johnston as someone who was actually quite old in real life.
However,
it is in comedy that she has become best known in recent decades. There was her
role in Jennifer Saunders’ not terribly funny Jam and Jerusalem and with another excellent ensemble cast in the feelgood TV movie family
holiday to Lapland. Co-star and
fellow-Scouser Stephen Graham has said: “For me to work with Sue Johnston is like playing
football with Steven Gerrard” although
since then he himself has become the Mo
Salah of TV actors.
But of course I will never forget her as Barbara in The Royle Family. She didn’t always
get the funniest lines but she’s utterly brilliant as the downtrodden mum being
whisked along by the crazily commonplace conversations in the living room or
even in the car. The scripts may have
become increasingly formulaic but the characters remained true. From her spot
at the end of the sofa, Sue Johnston showed time and again why she is one of
the finest character actors of our time.
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