My
first recollection of the actor dates from my junior schooldays, Please Sir!.
We didn’t watch much ITV so it’s not a giant leap of imagination to surmise why
Mum and Dad shared the series with two young children.. As teachers, they
probably watched with a mix of sympathy with the newly-qualified Mr Hedges,
played by Alderton, and relief that their own classes could not possibly be
worse than Fenn Street Secondary Modern’s 5C. However, it was hardly A
Clockwork Orange. Penned by Esmonde and Larbey, who’d later create The Good
Life, it was pretty tame stuff. The fact that the pupils appeared considerably
older than 16 was presumably lost on me, but it did nothing to allay fears
about future life in ‘Big School’! I reckon
I felt sorry for the hapless but well-intentioned classroom ingénue but, for
all the pupils’ cheek, the comedy was mercifully redeemed by a measure of
mutual respect; that and the classic theme tune.
After
reprising his role in the inevitable cinema spin-off, Alderton left mid-term.
He soon showed up again on the Beeb in My Wife Next Door.
This proved extremely popular on Tuesday evenings and made the name of co-star
Hannah Gordon. In fact it was she, not Alderton, who achieved the ultimate
accolade of a guest role in the Morecambe and Wise Christmas show in their
heyday No disrespect intended to Hannah but Alderton would have been a
brilliant performer in one of the plays wot Ernie wrote. Perhaps he was
considered too lightweight? Whatever, it didn’t seem to harm his own career,
although My Wife…ran for only one season. It was another smoothly ‘safe’ comedy
and its humour also appealed to millions of viewers when repeated in 1979.
He
was back in single-series sitcom suburbia for No Honestly, this time without Hannah Gordon but in the company of real-life spouse Pauline
Collins. My 1974 diary faithfully records I watched it but I have no mental
recollection other than Lynsey de Paul’s hit theme tune..
They
were also concurrently in harness for ITV’s Upstairs
Downstairs, she as a maid, he as the chauffeur. This saga of aristocrats
and their servants in early twentieth century London was a staple of our
household’s weekend evening viewing for five years and even I became swept
along by the storylines. It was hardly a comedy but along with Mr Hudson, Mrs
Bridges, Rose et al, the characters portrayed by Alderton and Collins were
extremely popular before leaving service after two series. The parent series
ended in 1975, but the pair were reunited in 1978 to reprise their roles, in
Thomas and Sarah.
Now a sixth-former with different tastes in television, I watched with little
enthusiasm. It was, after all, more to Mum’s taste than mine but I expect that
the lure of John Alderton was too strong to resist.
He
seemed to specialise in tall, gawky and socially awkward characters, and none
fitted the blueprint better than Mr Mulliner who in various guises cropped up in
many stories by PG Wodehouse broadcast on the BBC in the late 1970s. I have
much fonder and clearer memories of the delightful Wodehouse Playhouse despite it inhabiting the rather twee and
antiquated world of the Twenties English upper-crust. I was even moved aged 15
to describe it as “sheer brilliance”, praise indeed. The first two series also
featured – surprise surprise! – Ms Collins in a variety of roles opposite the
star Alderton but she had left by the ’78 season which opened with The Smile That Wins.
I even tried to copy that smile. Not in any misguided hope of romantic
conquest I should add. I’d have needed advice on more than how to grin.
In
the Eighties and Nineties, John Alderton was mostly lost to TV, and Pauline
found movie fame as Shirley Valentine. One exception was Channel 4’s Father’s Day in 1984 which for reasons
long since lost in time really appealed to me. Unfortunately I can find no
clips on YouTube, unlike Forever Green
which I never actually saw.
Enter
the new millennium and Alderton began to creep back into my consciousness,
guesting in the occasional drama. He was in a 2001 Dalziel and Pascoe mystery then a few years later in the first
series of Doc Martin as
a silver-bearded sailor. My interest in Clunes, Catz and the Cornish scenery
didn’t extend into subsequent series but it was an unexpected pleasure to see
this particular TV Treasure putt-putting in a dinghy across sun-kissed waters
and into the Doc’s surgery. Forty years earlier it would surely have been John
Alderton in the Martin Clunes role. Time has not been kind to the former’s ‘70s
comedy creations but he remains a peerless and ageless actor with an easy charm
and feather-light touch.
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