In
the Seventies, Whitfield remained a familiar face on telly. A bit more
versatile than another of my Treasures, Pat Coombs, she featured in loads of
comedy shows, from The Goodies to
The Dick Emery Show.
She was too big a name to be a mere short sketch stooge but anything requiring
some proper acting and perfect timing of a funny line, June was the one who you
were gonna call.
For
years I automatically associated her with Terry Scott. The moon-faced comedian
was an even bigger part of my childhood. I remember watching him as a six
year-old with Hugh Lloyd in Hugh and I
then The Gnomes of Dulwich and he had
a few series of themed sketch shows called Scott
On…, with June as the primary female comrade-in-arms. My 1973 diary records
that I watched some of these programmes but it was the arrival the following
year of Happy Ever After that cemented their professional TV relationship.
In
what was arguably the golden era of TV comedy, much of which has lost
none of its ability to make me chuckle, Happy
Ever After was hardly a beacon of brilliance, and yet it ran for five
years. It was surpassed in terms of both longevity and harmlessness by Terry and June which provided more of the same, albeit in a different average suburban street
with a different average suburban surname. The ‘naffometer’ reading was off the
scale but there was usually something to smile at. With Scott’s childish
naivete and permanently sunny outlook, and Whitfield’s more practical wife
struggling to keep him out of trouble, it became part of the BBC’s midweek
furniture well into the ‘80s, by which time it had become a byword for
old-fashioned, old-school comedy. ‘A bit Terry and June’ was a phrase I’d use
for something safe, undemanding and not particularly funny, but it was hardly
June Whitfield’s fault, and it didn’t stop her showing up in a great range of
programmes. Most of them were off my personal radar but I did catch her in a
1984 episode of Minder, also
featuring young Ray Winstone and Jimmy Nail. However, in 1992 came a role which
would make her more popular than any other show since the early sixties.
Launched
on BBC2, Absolutely Fabulous quickly became one of the
network’s biggest hits. While most of the humour was generated by the joyously
outrageous characters like Edina, Patsy and Bubbles, the show would not have been
the same without the strait-laced daughter Saffy (Julia Sawalha) and her
slightly dotty gran played by June Whitfield. They had some delightful scenes
together but often it was June whose almost throwaway lines disguised sharp barbs which
so effectively punctured the balloon of pomposity and ego that doubled as the brains
of the two leads such as this classic put-down.
Sadly,
for me after two or three series, Ab Fab lost
its element of surprise and with it what made the show so original and funny. I
haven’t seen the movie and the periodic one-offs just don’t do it for me. Only
la Whitfield continued to make me smile, fussing around the kitchen unfazed by
the appalling Patsy and guest stars like Lulu or Emma Bunton on whom Ab Fab
came to depend. Her small stature only served to make her character greater. I
saw her once, in Broadcasting House back in ’98, only then realising how short
she was.
In
between those sporadic specials with Jennifer Saunders et al, June Whitfield,
by then a CBE, made many more appearances on the screen. I never watched her on
Last of the Summer Wine – its
personal appeal having faded three decades earlier – nor did I witness her
sprinkling a dose of stardust on either EastEnders (as a nun) or Coronation
Street. However, I did enjoy her cameo as the cheeky ‘Minnie the Menace’ with
Bernard Cribbins and David Tennant in Doctor
Who’s 2009 two-parter The End of Time and we were treated to two Junes for the price of one in an otherwise
lacklustre 2014 Jonathan Creek,
portraying whimsical twin sisters.
Whitfield
was belatedly made a Dame in 2018 and died almost a year later. At 93, she left a
massive legacy of roles, be they on radio, stage, TV or the silver screen which
surely few can match.
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